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Mind Blown: Mozart in the Jungle Goes to Prison

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Well, the holidays are behind us. The time of festive fun and great food, sparkling lights and age-old traditions…families gathering around to spend time together. Perhaps to Netflix and Chill together.  Or in this case, Amazon and Kick It together?  The television is at the top of the list of great time-passers as you wait for your turkeys to roast and/or your latkes to fry.  You can gather ’round and watch some instant classic football games, a classic holiday movie or even experience a bit of completely new and cutting edge mind-mushing, brain-bashing, reality-wrecking episodic television.

This year, I got treated to such an experience when my family decided to forge ahead with their viewing of Amazon’s award-winning Mozart in the Jungle, even though I’m still on Season 1.  I was totally fine with skipping ahead as I’m not terribly invested in the show.  I found it to simply satisfy the need for a half-hour bit of comedy decompression after an intense drama like its Amazonian counterpart The Man in the High Castle. Nevertheless, the episode next up on the queue for my family would change everything.  It was no comedy to me…it wasn’t quite dramatic either…it was odd, dare I say cubist, almost sans-genre, and it has earned itself a coveted spot here in our Mind Blown series.

Episode 7 of Season 3 is titled, “Not Yet Titled” and already the existential crisis-like nature of this episode is established which will hopefully allay your fear of missing out on the previous two and a half seasons. Because what unfolds is a transcendent piece of I-don’t-know-what; a blend of reality as we know it, with the reality and surreality of the show, commenting on the surreality of our reality as we know it.  The episode takes a mocumentary approach without mocking anything but instead revealing the freeing power of music on the mind through an experiment, cleverly crafted by the show’s creatives including Roman Coppola and Jason Schwartzman.  Schwartzman returns as his on-screen persona, Bradford Sharpe, to lead the charge of this experiment. The subjects? Detainees at Riker’s Island Prison Complex.  A real film crew follows a sort-of-faux film crew capturing the real reactions and interviews of real prisoners after a very real concert performance by real and not-so-real musicians (the orchestra in each episode, including this one, is filled out by actual musicians from The Chelsea Symphony and the New Westchester Symphony Orchestra to add authenticity to the on-screen performances alongside the Mozart in the Jungle cast members). To top this whole brain-bender off, the pieces of music chosen for the performance were by Olivier Messiaen. Messiaen wrote the featured works of the episode (such as “Quartet for the End of Time“) while in prison during World War II.

How are these prisoners going to react to an avant-garde orchestral performance, challenging pieces of classical music, that were born out of a man’s captivity?

“It took me a way from where I’m at, definitely did.”

Do yourself a favor and go check out the results.

Watch Season 3 of Mozart in the Jungle on Amazon Prime here!

The Mozart in the Jungle cast includes Gael Garcia Bernal, Saffron Burrows, Lola Kirke, Bernadette Peters and Malcolm McDowell. Watch out for cameos from all over the music world including Gustavo Dudamel, Joshua Bell and acclaimed pianist Emanuel Ax deeply engaged in a game of Dance Dance Revolution.

 

Mind Blown: The Dirties

I’m not sure if this next installment is influenced by current events, perhaps its basic coincidence, but I guess that’s another way of saying it was simply meant to be. I recognize that when I watched The Dirties on Sunday night, the timing of seeing it was an important factor but perhaps that is the point.  Shot in a found-footage, documentary-like style (be prepared for some very shaky-cam) this festival darling follows two high school students making a home movie about taking down the bullies at their school, Quentin Tarantino style, guns a-blazin’.  As the film progresses, one of the young men takes the joke to uncomfortable heights.

I first heard about The Dirties during a Kevin Smith interview in which he also gave a shout-out to Blue is the Warmest Color. I mention this because while these two films are so different in so many ways, they have one very important thing in common that makes them fantastic: as Mr. Smith puts it, the feeling of watching a camera being dipped into real life. Two very different stories, two very different styles, one very overwhelming and sometimes physical response.

In The Dirties, writer/director/editor/producer Matt Johnson stars as Matt alongside his best friend Owen, played by Owen Williams; already reality has become a head-scratcher. The film opens with a purely accidental scene between Matt and two real life passerby kids asking about the movie that’s being filmed. There are scenes in which Matt sits down to edit the very movie we are watching.  There are the sudden moments of frighteningly real bullying, the kind that is psychological and paralyzing.  Going into watching the film, I knew there was a mixture of real people and actors partaking in the action and it is absolutely impossible to distinguish who or what is real or fake. Sometimes, catalyzing events happen that I felt like I missed because it wasn’t set up in a way that the camera could catch it perfectly, leaving me to wonder if it was staged or not.  There is a constant changing of mood and tone; one moment Matt is being his usual zany jokester self and the next he is reading Columbine by Dave Cullen; one of several incredibly brilliant and sobering ways Johnson reminds us of the anchor that holds this whole story in the real world.  The never-ending questioning and shifts lead me to feel perpetually unsettled by every person and everything they did, wondering if life is imitating art or vice versa.  Who is going to be the one that pushes this narrative over the edge?  I felt as though the story was going to betray me, that the harsh truths of bullies and school shooters would end up on my screen in a very unsettling way no matter how bad I wanted everyone to get along.  It was a unique feeling I don’t think a film has ever given me before.

The Dirties is a riveting, provocative and bold film made for very little by some very daring people and it brings to light just how bad we can be to each other at our most sensitive and volatile ages.  At a time when school shootings are the source of incredibly heart-breaking frustration, The Dirties offers a no-nonsense view on the matter that feels just too damn important.